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This is the only way buying a plugin or a bundle is ever worth it. You’ll get value out of them instantly (as opposed to one day hoping you use them), plus you’ll learn them really well. Purchase them with a plan to use them all over an album or EP. The second way to better handle plugin purchases is to buy them with a project (or projects) in mind. Couple that with actually demoing the plugin (one of the beauties of plugins) and you can really get to know how it will work in your studio with your material. You get an informed opinion and you can hear them in real time. I think written plugin reviews are pointless (since you can’t see/hear them in action), so I try and create video reviews of plugins that I’ve used and liked. I try to review plugins here on The Recording Revolution to help you. And you do this in two ways: watching reviews and demoing them. Two Ways To Better Handle Plugin Purchases So how SHOULD one approach buying third party plugins? The first thing you can do is good research. It could be Even your room acoustics can help your front end sound better. Why not invest money on what’s actually going to affect your recordings? This could be having different microphones for different tonal options. Sure they can help improve your sound, but you’re starting from a bad spot. Plugins don’t affect the front end, just the back end.
The better (or better matched to the source) this front end is, the better your tracks and effectively the better your mix will be. What your audio goes through (microphone, preamp, compressor, eq, converter, etc) is called your front end. The truth is, you’d get a better mix if your original raw tracks sounded better in the first place.
#UNIVERSAL AUDIO PLUGINS DEMO SOFTWARE#
Plugins Don’t Improve Your Front End I think we all like the idea of plugins because they are easy: slap some software on our tracks to enhance them and call it a day. Spend money on things you don’t already have, rather than doubling up on things you already have. Or perhaps pickup a faster computer so I can handle more tracks and plugins as needed.
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I think that the reason nobody has cracked the UAD platform is that the code to run the plugins will be compiled for the mpact processor and wouldn't run on an Intel or PPC processor - you'd have to decompile the code and recompile it for a native processor with a different architecture. I could even to get a better sounding space.
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Some examples? More microphones and preamps so I can track a full band live, or track drums. If more plugins aren’t needed to make a great mix, then it follows logically to me that my money is better spent on gear that will help me accomplish more and better work in the studio. And at the end of the day, that’s what you need. Combining the knowledge and expertise from their audio hardware, DSP, plug-ins and.Īre they dripping with vibe and analog goodness? Maybe not, but they are clean and professional. Their platform has not ever been cracked. The plugins that are shipping stock with DAWs these days are powerful, useful, and sonically they sound great. You do not need any 3rd party plugins to make a killer mix. You Already Own An EQ, Compressor, And Reverb Let’s get this point out on the table right away. But on some level I know that plugins have been the worst place to spend my money over the years. Now before I jump in, don’t get me wrong: I have and use many great plugins. And honestly, I use the word “investment” with a hint of sarcasm. Shares 31 Today I want to make the case that plugins are the absolute worst investment you could make in your studio.